If you missed seeing the
stunning St John polyptych at St Mary’s Church, Lydiard Park over the last weekend in July it will be open on the Heritage Open Days September 8-11, 2016.
At
the centre of this multi panelled genealogical masterpiece is a family
portrait. Believed to have been painted by William Larkin (portraitist at the
court of James I and known as ‘The Curtain Master’ for his predilection for
including draped curtains and oriental carpets in his paintings) the St John portrait
pays homage to the parents of Sir John St John, 1st Baronet.
Sir
John and Lady Lucy St John kneel in prayer on a sarcophagus beneath which lie
three coffins representing three of their children who died before the painting
of the portrait.
Their
son, Sir John (1st Baronet) and his wife, Anne Leighton stand on the
left of the portrait and on the right are their six daughters.
The
17th century St John family lived through turbulent times about
which a vast amount of academic and populist historical works exist. The life
of Sir John (1585-1648) is also well documented but what do we know about his six
sisters?
As
Brian Carne writes in the recently reprinted Curiously Painted: “Little has
been discovered about the lives of the six sisters: they existed in the shadows
of their husbands.”
Lucy
St John was born in 1589. She married Sir Allen Apsley, Lieutenant of the Tower
of London, at the church of St Ann’s, Blackfriars on October 23, 1615.
Following his death she had a second, short lived marriage to Sir Leventhorpe
Francke and she died in 1659 aged 70 years.
The
little that is known about youngest sister Lucy, comes from the writings of her
daughter Lucy Apsley.
Not
a lot to be going on with for the historical biographer, but for the historical
novelist an absolute gift! It was from this position that Elizabeth St John
began writing The Lady of the Tower.
Elizabeth
St John is a direct descendant of the senior Bletsoe branch of the St John
family and the 13th great granddaughter of Margaret Beauchamp (Henry
VII’s grandmother).
Elizabeth,
who grew up in England but now lives in California, first visited Lydiard about
thirty-five years ago, and has returned almost every year since.
‘I
remember the first time I visited, walking through the house and seeing all the
portraits. It was as if part of me had come home - perhaps it's because I
inherited the St. John nose, and there was a sense of familiarity!’
Elizabeth’s
novel has been a long time in the writing and began as an article published in
The Friends of Lydiard Tregoz Report 1987 as The Influence of the Villiers
Connection on the First Baronet and his Sisters.
‘The
story stayed with me, and it's been a lifetime dream to write a book about
them.’
Elizabeth has
undertaken extensive research and skilfully interweaves fact and fiction,
including authentic 17th century cures and recipes borrowed from her
kinswoman Lady Johanna St John’s Booke.
Elizabeth’s novel has
received critical acclaim:
Few authors tackle this period, opting for the
more popular eras, but Elizabeth St John has brought the early Stuart Court in
the years before the English Civil War vividly to life. She weaves together the
known facts of Lucy’s life with colourful scenes of fictional imagination,
drawing on innocent romance and bleak deception to create a believable heroine,
and an intriguing plot.
But perhaps one of the
greatest endorsements is that The Lady of the Tower is now on sale in the Tower
of London bookshop.
But if you can’t pop
into the Tower, the book is available online from Amazon in both paperback and
Kindle (where it is now in the Kindle Best Sellers for Historical Fiction in
both the US and UK).
The Lady of the Tower leaves the
story in 1630 with Lucy recently widowed and homeless. Elizabeth is currently
writing a second book, which has the working title ‘By Love Divided’ and follows
the story of Lucy’s two children.
‘Lucy
Hutchinson and Allen Apsley, fought on opposing sides of the Civil War. This
book explores their lives, and those of their extended family, through their
eyes. The conflict that drove their beliefs was often blurred and confused, and
throughout the wars they remained extremely close. It's a fascinating time in
our history, and one that not much is written about.’
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| Elizabeth St John |
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| Lucy St John stands closest to her mother in the St John polyptych family portrait |
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| Margaret Beauchamp Henry VII's grandmother (and Elizabeth St John's 13x great grandmother). |
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